Sunday, 28 November 2010
Drum Kit issue...Really?
Yussra and Marwa.
Filming the Band.
On the list of what to shoot was:
1) Stationary shots of all band members with different angles for the whole song.
2) Moving shots of band members faces focusing alot on tom.
3) capturing a significant amount of facial expressions from Tom whilst singin so that he expresses the words well.
4) Alot of moving shots experimenting going into band and out.
5) Close up shots of all the instruments.
And i believe that we successfully accomplished these shot effectively within the time limit we were given.
Yussra Marwa.
Filming: day 2
Next, we began the scenes where I entered the house then moving the onto the bedroom scenes next, as we felt that this would be the longest process. It was very strenuous task, and so we decided to be creative by using a number of different angles in order to get the facial expression and emotions which we felt that the audience could relate to. The challenges with these scenes were the space we had available for the crew and the actors. It was very cramped but we managed to obtain the shots which we wanted.
Lastly, we filmed the scenes of me walking up the stairs to the bedroom. We filmed numerous versions of this scene, including me singing and not singing. We wanted to include a stairs scene because it relates to the music video theory of using many close-ups of the lead singer.
We were very fortunate to use Marwa’s house for the setting.
Tom
Tracking Troubles.
Yussra and Marwa.
Digipacks that inspire!
Serotonin by The Mystery Jets is a simple album cover with the whole band on the front. I found that really there is no secret meaning to this, and nothing too outlandish about it. It is a simple cover of the band, something that is easy for us to do, and it reflects the uplifting spirit of the band and in particular, this album.
Saturday, 27 November 2010
Mise-en-scene
Mise-en-scene played a key role for us as a group as we spent about three lessons discussing optional sets for the music video. Our biggest issue was the dilemma of the bedroom scene- we couldn't use a parents room because we knew it had to look like it was a young recent couple and it couldn't be our cluttered teenage bedrooms. After hours and hours of discussing we realised that my room would do the job if we altered a bit. When we decided to shoot we moved a desk a couch and placed the bed in the middle of the room which, not only made filming easier but also centred the importance of the couple in the bedroom rather than anything else. George's kitchen seemed to flow well with my bedroom as it seemed to be in one house and the dividing wall separating the kitchen and the living room allowed us to track Tom easily when he handed Anna the sandwich. We also placed photos of Tom and Anna in photo frames in George's living room to create the full effect of a real couples home. For performance we went through many ideas. We were told that a green screen would be coming into the school soon and Tom was eager to use that whereas George a likened to the idea of using the Drama rooms in the school, whilst Yussra and I suggested a standard brick wall. The brick wall idea developed well when Tom and George suggested putting a band flyer up behind the band. When we got to the large brick wall making the music department in the school we realised one issue- a sandpit. We went hunting around the school eager to film as soon as possible and when we looked upon the other side of the music department we found a quiet green where we could easily film without any distractions. It also meant that transporting instruments wouldn't be hard and we could look like we were in a park or somewhere isolated. The green connotes a feeling of emotional loneliness as Tom seems to be surrounded by no one but his band mates whilst he yearns for female respect and nurture.
Yussra and Marwa
Monday, 22 November 2010
The First Shots
The Digipack
I can now begin to bring my idea to life
George
The Album Name
We plan to integrate these meaning into our album cover.
George
The Change In Band Name
This came luckliy as we were about to dicuss ideas for a digipack which we will begin to do now.
George
Band Performance
Yussra and Marwa.
Photos of Filming
During the time we had filming, we also took a few photos of locations, actors, props and general goings-on while filming. Below is our Flickr page, where you can view our on set images. Enjoy!
Tom
Friday, 19 November 2010
Music Video Analysis - Cater to You
Wednesday, 17 November 2010
The Band Performence
The location we chose suited the performance well. We wanted somewhere basic that wouldn't steal focus from the band. We wanted somewhere outside which would provide natural light rather than a lighting kit, and finding somewhere where we could fit the drum kit that was inside was also hard. We had to film inside school grounds as this was our only access to a drum kit. playing in front of the tree blocked out some of the view from behind us, and it provided us with a location to walk into shot from.
A problem we may have faced was is how bright it was towards the end of filming. As it was filmed outside we began to lose light. Luckily we were done before it got too dark that you wouldn't be able to see anything. Occasionally there were cars in the background which may have been a hindrance be at the moment it doesn't seem likely any were caught in the shot.
All is back of track with our filming and it should hopefully all finish soon.
George
Tuesday, 16 November 2010
Band Performance: Inspiration
Hopefully, we can try to avoid a performance similar to this...
It feels like the band are not being watched and that there relaxed front shows that they are comfortable when performing. Hopefully when we begin to film our band performance, we can try an number of methods as to how to portray our characters on screen be it reckless or timid.
Tom
Monday, 15 November 2010
Filming : Band Performance
For our performance, we kept to the criteria of Andrew Goodwin's theories. We exploited the use of star image, as well as the development of the star over time. We used a number of close-ups of each band member, in order to promote the band and create a sense of intimacy with the viewer. The close ups are also able to show what the band is offering, particularly the voice of the lead singer. John Stewart of Oil Factory states that he 'sees the music video as essentially having the aesthetics of the TV commercial, with lots of close ups and lighting being used prominently for the star's face'. For this, we tried many shots focusing on the lead singer in our video.
We had to take into account the setting while shooting our footage. We were unsure whether or not the time we had available would make the shots looked different when put in chronological order. However, we kept to a strict timing schedule, which allowed us to avoid the dark weather which would have delayed the time available to film. In terms of the band, all 3 of the members have a passion for music as part of our interest. Our background knowledge allowed us to portray what we have seen our favourite musicians act like be it in their own music videos or by seeing them live. Me and George had asked a friend, George, to be a part of the band and act as our drummer. He also had a basic grasp on how to play the drums and so our band were complete. In total, we shot a total of just under an hour of raw footage, were we captured many different angles and close ups of each band members, allowing us to be creative with the footage when it came to editing it into our final piece.
Tom
Friday, 12 November 2010
Filming : Day 1
One of the key Goodwin theories we tried to incorporate within the first few scenes of our music video is 'A relationship between visuals either illustrating, amplifying or contradicting the lyrics'. Our video is concentrating on the subject of genre, and how the lyrics play with the superior dominance of men over women, which in this case, it is the other way round. The concept of the video focuses on the lyrics 'The female of the species is more deadlier than the male'. Many iconographic acts have been used within our video, including the man making a sandwich for the woman, the woman cheating on the man and also the woman demanding the man for sex. We felt that these typical relationship issues were predominantely caused by men, whereas, we are subverting this image, not only to show that the woman is in control of the relationship, but she is 'deadlier than the male'.
Also, the video shows a relation between the lyrics and the visuals. 'A thousand thundering thrills await me, facing insurmountable odds gratefully'. The visuals shown at this point of the song is of the man making the sandwich. The use of 'await me' and 'facing insurmountable odds' could suggest that the video will be negative and that the protagonist will be the subject of this negativity. His blank facial expression show that the man is visually unhappy and that he is not looking forward to the actions that will proceed. This is then supported by the fact that the man is then hit by the woman, an action to show that she is physically in control and dominant over the man. Prior to this, the man speaks towards the camera unbeknownst to the woman, perhaps showing that he finds solace in the audience that he is addressing. It is a form of escapism for him, yet also allows for a sense of interaction with viewers, making them more involved with the video.
Tom
Thursday, 4 November 2010
costumes
George
The Walkmen

Pete Doherty

Rivers Cuomo

Thom Yorke

Julian Casablancas
